{"id":59117,"date":"2026-08-03T04:21:57","date_gmt":"2026-08-03T01:21:57","guid":{"rendered":"https:\/\/www.karekod.org\/blog\/?p=59117"},"modified":"2026-08-03T04:42:33","modified_gmt":"2026-08-03T01:42:33","slug":"ismet-siral-kimdir","status":"publish","type":"post","link":"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/","title":{"rendered":"\u0130smet S\u0131ral Kimdir? Hayat\u0131, M\u00fczi\u011fi ve Caz Miras\u0131"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral kimdir? \u0130smet S\u0131ral, T\u00fcrkiye\u2019de modern caz\u0131n kurumsalla\u015fmaya ba\u015flad\u0131\u011f\u0131 1950\u2019li y\u0131llar\u0131n \u00f6nde gelen saksofoncular\u0131ndan, orkestra \u015feflerinden ve m\u00fczik e\u011fitmenlerinden biridir. 1927\u2019de \u0130stanbul\u2019da do\u011fan S\u0131ral; saksofon ve fl\u00fctle ba\u015flad\u0131\u011f\u0131 m\u00fczik ya\u015fam\u0131n\u0131 ney, makam, usul ve Anadolu ezgileri \u00fczerine yapt\u0131\u011f\u0131 deneysel \u00e7al\u0131\u015fmalarla geni\u015fletti. 1960\u2019larda orkestras\u0131yla Avrupa\u2019da sahne ald\u0131, 1978\u20131980 d\u00f6neminde ise New York eyaletindeki Creative Music Studio\u2019da dersler ve konserler verdi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131 yaln\u0131zca \u201cT\u00fcrkiye\u2019nin ilk caz orkestras\u0131n\u0131 kuran m\u00fczisyen\u201d \u015feklinde tan\u0131mlamak eksik kal\u0131r. \u00c7\u00fcnk\u00fc onun as\u0131l \u00f6nemi tek bir ilkten de\u011fil; m\u00fczisyen yeti\u015ftiren orkestralar\u0131ndan, caz ile yerel m\u00fczik gelenekleri aras\u0131nda kurdu\u011fu ili\u015fkiden ve uluslararas\u0131 bir yarat\u0131c\u0131 m\u00fczik okulu kurma hayalinden gelir. Ticari diskografisi k\u00fc\u00e7\u00fck olmas\u0131na ra\u011fmen T\u00fcrk caz\u0131ndaki d\u00fc\u015f\u00fcnsel etkisi olduk\u00e7a b\u00fcy\u00fckt\u00fcr.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>K\u0131sa yan\u0131t:<\/strong> \u0130smet S\u0131ral; saksofon, fl\u00fct ve ney \u00e7alan, T\u00fcrkiye\u2019nin ilk profesyonel modern caz topluluklar\u0131nda yer alan ve kendi orkestralar\u0131n\u0131 y\u00f6neten \u00f6nc\u00fc bir m\u00fczisyendir. Anadolu ezgilerini, makamlar\u0131 ve aksak ritimleri caz do\u011fa\u00e7lamas\u0131yla bulu\u015fturan erken d\u00f6nem \u00e7al\u0131\u015fmalar\u0131yla tan\u0131n\u0131r.<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Bilgi<\/th><th>Ayr\u0131nt\u0131<\/th><\/tr><\/thead><tbody><tr><td>Tam ad\u0131<\/td><td>\u0130smet S\u0131ral<\/td><\/tr><tr><td>Do\u011fum<\/td><td>18 Ocak 1927, Fatih, \u0130stanbul<\/td><\/tr><tr><td>\u00d6l\u00fcm<\/td><td>8 Ekim 1987, \u0130\u00e7meler, Marmaris<\/td><\/tr><tr><td>Ya\u015f\u0131<\/td><td>60<\/td><\/tr><tr><td>Mesle\u011fi<\/td><td>M\u00fczisyen, orkestra \u015fefi ve e\u011fitmen<\/td><\/tr><tr><td>\u00c7alg\u0131lar\u0131<\/td><td>Tenor, alto ve soprano saksofon; fl\u00fct ve ney<\/td><\/tr><tr><td>M\u00fczik alanlar\u0131<\/td><td>Caz, do\u011fa\u00e7lama m\u00fczik, Anadolu m\u00fczi\u011fi ve t\u00fcrler aras\u0131 \u00e7al\u0131\u015fmalar<\/td><\/tr><tr><td>\u00d6nemli d\u00f6nemleri<\/td><td>1950\u2019ler \u0130stanbul caz \u00e7evresi, 1960\u2019lar \u0130sve\u00e7 turneleri, 1978\u20131980 Creative Music Studio<\/td><\/tr><tr><td>Ba\u015fl\u0131ca kay\u0131tlar\u0131<\/td><td>Fundac\u0131k Du-Bi-Ba, Buzlu Cam, Zeynebim, Oy, Untitled ve Merdevin<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\"><p class=\"ez-toc-title\" style=\"cursor:inherit\">\u0130\u00e7indekiler<\/p>\n<\/div><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siral_neden_onemlidir\" >\u0130smet S\u0131ral neden \u00f6nemlidir?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Cocuklugu_ve_muzige_baslamasi\" >\u00c7ocuklu\u011fu ve m\u00fczi\u011fe ba\u015flamas\u0131<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#1950lerde_Turkiyede_caz_ve_Ismet_Siralin_ilk_topluluklari\" >1950\u2019lerde T\u00fcrkiye\u2019de caz ve \u0130smet S\u0131ral\u2019\u0131n ilk topluluklar\u0131<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siral_Orkestrasi_neden_bir_okul_olarak_gorulur\" >\u0130smet S\u0131ral Orkestras\u0131 neden bir okul olarak g\u00f6r\u00fcl\u00fcr?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Isvec_yillari_ve_Avrupaya_acilisi\" >\u0130sve\u00e7 y\u0131llar\u0131 ve Avrupa\u2019ya a\u00e7\u0131l\u0131\u015f\u0131<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Saksofonda_baslayan_yolculuk_nasil_neye_ulasti\" >Saksofonda ba\u015flayan yolculuk nas\u0131l neye ula\u015ft\u0131?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siralin_kayitlari_ve_diskografisi\" >\u0130smet S\u0131ral\u2019\u0131n kay\u0131tlar\u0131 ve diskografisi<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Creative_Music_Studio_donemi\" >Creative Music Studio d\u00f6nemi<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Marmariste_kurmak_istedigi_muzik_okulu\" >Marmaris\u2019te kurmak istedi\u011fi m\u00fczik okulu<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siralin_muzisyenler_uzerindeki_etkisi\" >\u0130smet S\u0131ral\u2019\u0131n m\u00fczisyenler \u00fczerindeki etkisi<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siral_neden_yeterince_taninmiyor\" >\u0130smet S\u0131ral neden yeterince tan\u0131nm\u0131yor?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siral_hakkinda_dogru_bilinen_yanlislar\" >\u0130smet S\u0131ral hakk\u0131nda do\u011fru bilinen yanl\u0131\u015flar<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siralin_yasamindan_onemli_tarihler\" >\u0130smet S\u0131ral\u2019\u0131n ya\u015fam\u0131ndan \u00f6nemli tarihler<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Ismet_Siralin_mirasi_bugun_nasil_yasatiliyor\" >\u0130smet S\u0131ral\u2019\u0131n miras\u0131 bug\u00fcn nas\u0131l ya\u015fat\u0131l\u0131yor?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Editor_Yorumu\" >Edit\u00f6r Yorumu<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Sikca_Sorulan_Sorular\" >S\u0131k\u00e7a Sorulan Sorular<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.karekod.org\/blog\/ismet-siral-kimdir\/#Baslica_kaynaklar\" >Ba\u015fl\u0131ca kaynaklar<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siral_neden_onemlidir\"><\/span>\u0130smet S\u0131ral neden \u00f6nemlidir?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral\u2019\u0131n \u00f6nemini \u00fc\u00e7 farkl\u0131 d\u00f6nemde de\u011ferlendirmek m\u00fcmk\u00fcnd\u00fcr. \u0130lk d\u00f6nemde S\u0131ral, T\u00fcrkiye\u2019de modern caz repertuvar\u0131n\u0131 \u00e7alabilecek yerli topluluklar\u0131n olu\u015fmas\u0131na katk\u0131da bulunan bir saksofoncudur. \u0130kinci d\u00f6nemde kendi orkestralar\u0131n\u0131 y\u00f6neten, gen\u00e7 yorumculara sahne deneyimi kazand\u0131ran ve Avrupa turnelerine \u00e7\u0131kan bir orkestra \u015fefidir. Son d\u00f6neminde ise caz\u0131n bi\u00e7imlerini makam, usul, ney ve s\u00f6zl\u00fc aktar\u0131m gelene\u011fiyle yeniden d\u00fc\u015f\u00fcnmeye \u00e7al\u0131\u015fan deneysel bir m\u00fczisyene d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"420\" height=\"275\" src=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/03-ismet-siral-orkestra-posteri-1954.jpg\" alt=\"\u0130smet S\u0131ral Orkestras\u0131\" class=\"wp-image-59120\" style=\"width:808px;height:auto\" srcset=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/03-ismet-siral-orkestra-posteri-1954.jpg 420w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/03-ismet-siral-orkestra-posteri-1954-360x236.jpg 360w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/03-ismet-siral-orkestra-posteri-1954-350x229.jpg 350w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">\u0130smet S\u0131ral Orkestras\u0131<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Onu T\u00fcrk caz tarihinde ayr\u0131cal\u0131kl\u0131 k\u0131lan ba\u015fl\u0131ca \u00f6zellikler \u015funlard\u0131r:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>T\u00fcrkiye\u2019nin ilk profesyonel modern caz topluluklar\u0131nda \u00e7almas\u0131 ve kendi orkestralar\u0131n\u0131 kurmas\u0131<\/li>\n\n\n\n<li>\u0130stanbul Radyosu, otel orkestralar\u0131 ve konserler arac\u0131l\u0131\u011f\u0131yla caz\u0131n dinleyici kitlesini geni\u015fletmesi<\/li>\n\n\n\n<li>Ayten Alpman, Hayati Kafe ve \u00d6zdemir Erdo\u011fan gibi \u00f6nemli yorumcular\u0131n kariyerlerindeki belirleyici d\u00f6nemlere e\u015flik etmesi<\/li>\n\n\n\n<li>Saksofonun yan\u0131nda ney ve fl\u00fct\u00fc caz do\u011fa\u00e7lamas\u0131 i\u00e7inde kullanmas\u0131<\/li>\n\n\n\n<li>Anadolu ezgileri, makamlar ve aksak ritimler \u00fczerine \u00e7al\u0131\u015fmas\u0131<\/li>\n\n\n\n<li>Creative Music Studio\u2019da farkl\u0131 co\u011frafyalardan m\u00fczisyenlere T\u00fcrk m\u00fczi\u011finin ritim ve bi\u00e7im anlay\u0131\u015f\u0131n\u0131 aktarmas\u0131<\/li>\n\n\n\n<li>T\u00fcrkiye\u2019de uluslararas\u0131 nitelikte, birlikte ya\u015fama ve \u00fcretme esas\u0131na dayanan bir m\u00fczik okulu kurmak istemesi<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Bu nedenle \u0130smet S\u0131ral sadece iyi bir icrac\u0131 de\u011fil, m\u00fczi\u011fin nas\u0131l \u00f6\u011frenilece\u011fi ve farkl\u0131 geleneklerin nas\u0131l bulu\u015fabilece\u011fi \u00fczerine d\u00fc\u015f\u00fcnen bir k\u00fclt\u00fcr insan\u0131 olarak de\u011ferlendirilmelidir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Cocuklugu_ve_muzige_baslamasi\"><\/span>\u00c7ocuklu\u011fu ve m\u00fczi\u011fe ba\u015flamas\u0131<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral, 18 Ocak 1927\u2019de \u0130stanbul\u2019un Fatih il\u00e7esinde do\u011fdu. Orta\u00f6\u011frenimine Ankara\u2019da devam ederken 1944 y\u0131l\u0131nda okuldan ayr\u0131larak profesyonel m\u00fczi\u011fe y\u00f6neldi. \u0130lk ciddi saksofon e\u011fitimini, d\u00f6nemin ad\u0131yla Riyaset-i Cumhur Bandosu\u2019nda g\u00f6rev yapan \u0130lhami Hayri Bey\u2019den ald\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1946\u20131949 y\u0131llar\u0131 aras\u0131ndaki askerlik d\u00f6neminde Harbiye Orduevi Orkestras\u0131\u2019nda saksofon ve fl\u00fct \u00e7ald\u0131. Asker\u00ee orkestralar o y\u0131llarda nefesli \u00e7alg\u0131 \u00e7alan m\u00fczisyenler i\u00e7in \u00f6nemli \u00e7al\u0131\u015fma ve bulu\u015fma alanlar\u0131yd\u0131. S\u0131ral da burada M\u00fcfit Kiper, Muvaffak \u201cMaffy\u201d Falay ve Celal \u0130nce gibi d\u00f6nemin m\u00fczisyenleriyle tan\u0131\u015ft\u0131. Bu y\u0131llara ili\u015fkin bilgiler <a href=\"https:\/\/artijazz.com.tr\/muzisyenler\/ismet-siral\/\">Art\u0131 Jazz\u2019\u0131n \u0130smet S\u0131ral biyografisi<\/a> taraf\u0131ndan da do\u011frulanmaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00fcneyt Sermet\u2019in s\u00f6zl\u00fc tarih niteli\u011findeki anlat\u0131m\u0131, S\u0131ral\u2019\u0131n geli\u015fimini daha ayr\u0131nt\u0131l\u0131 g\u00f6sterir. Sermet, onu asker\u00ee bandoda alto saksofon \u00e7alarken bulduklar\u0131n\u0131 ve modern caz toplulu\u011funda tenor saksofona y\u00f6nlendirdiklerini anlat\u0131r. S\u0131ral b\u00f6ylece yaln\u0131zca \u00e7alg\u0131 de\u011fi\u015ftirmemi\u015f; swing ve dans m\u00fczi\u011fi \u00e7evresinden d\u00f6nemin modern caz dili olan bebop\u2019a do\u011fru ilerlemi\u015ftir. <a href=\"https:\/\/www.jazzdergisi.com\/odullu-ustalar-cuneyt-sermet\/\">C\u00fcneyt Sermet\u2019in anlat\u0131m\u0131nda<\/a> S\u0131ral, T\u00fcrkiye\u2019de modern caz repertuvar\u0131n\u0131 uygulamal\u0131 bi\u00e7imde \u00f6\u011frenen ilk ku\u015fa\u011f\u0131n merkezindeki isimlerden biridir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"1950lerde_Turkiyede_caz_ve_Ismet_Siralin_ilk_topluluklari\"><\/span>1950\u2019lerde T\u00fcrkiye\u2019de caz ve \u0130smet S\u0131ral\u2019\u0131n ilk topluluklar\u0131<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcrkiye\u2019de caz \u0130smet S\u0131ral ile ba\u015flamad\u0131. \u0130stanbul\u2019da 1920\u2019lerden itibaren dans orkestralar\u0131 bulunuyor; Ermeni, Rum, Yahudi ve yabanc\u0131 m\u00fczisyenler cazla ili\u015fkili repertuvarlar \u00e7al\u0131yordu. Bununla birlikte modern caz\u0131n sistemli bi\u00e7imde dinlenmesi, tart\u0131\u015f\u0131lmas\u0131 ve yerli topluluklar taraf\u0131ndan icra edilmesi esas olarak 1940\u2019lar\u0131n sonu ile 1950\u2019lerin ba\u015f\u0131nda h\u0131z kazand\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Erdem Buri\u2019nin 1949\u2019da \u0130stanbul Radyosu\u2019nda ba\u015flad\u0131\u011f\u0131 yay\u0131nlar dinleyici olu\u015fumuna katk\u0131 sa\u011flarken C\u00fcneyt Sermet\u2019in \u00e7evresinde toplanan m\u00fczisyenler bebop ve modern b\u00fcy\u00fck orkestra d\u00fczenlemelerini \u00e7al\u0131\u015f\u0131yordu. H\u00fclya Tun\u00e7a\u011f\u2019\u0131n aktard\u0131\u011f\u0131 kronolojiye g\u00f6re Sermet, 1951\u2019de Arto Ha\u00e7aturyan ve Arif Mardin ile ilk modern b\u00fcy\u00fck orkestralardan birini kurmu\u015f; \u0130smet S\u0131ral da bu orkestrada tenor saksofon \u00e7alm\u0131\u015ft\u0131r. S\u0131ral ve Sermet\u2019in 1951\u20131952 d\u00f6neminde y\u00f6netti\u011fi alt\u0131l\u0131da Sevin\u00e7 Tevs vokalist olarak \u00f6ne \u00e7\u0131km\u0131\u015ft\u0131r. Ayr\u0131nt\u0131l\u0131 kadrolar <a href=\"https:\/\/www.artfulliving.com.tr\/kultur-ve-yasam\/turkiyede-cazin-oykusu-ilk-yillar-2-i-610\">T\u00fcrkiye\u2019de Caz\u0131n \u00d6yk\u00fcs\u00fc<\/a> \u00e7al\u0131\u015fmas\u0131nda yer almaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kaynaklar topluluklar\u0131n kurulu\u015f tarihleri konusunda tam olarak \u00f6rt\u00fc\u015fmez. Baz\u0131 biyografiler 1953\u2019te kurulan \u201cSextet\u201di \u00f6ne \u00e7\u0131kar\u0131rken s\u00f6zl\u00fc tarih kaynaklar\u0131 Bop Sextet ve benzeri alt\u0131l\u0131lar\u0131n 1951 dolaylar\u0131nda etkin oldu\u011funu g\u00f6sterir. Bunlar\u0131n farkl\u0131 kadrolarla kurulmu\u015f ard\u0131\u015f\u0131k topluluklar olmas\u0131 m\u00fcmk\u00fcnd\u00fcr. Bu nedenle S\u0131ral\u2019\u0131n tek ba\u015f\u0131na \u201cT\u00fcrkiye\u2019nin ilk caz orkestras\u0131n\u0131 kurdu\u011fu\u201d y\u00f6n\u00fcndeki kesin c\u00fcmle yerine \u015fu ifade tarihsel bak\u0131mdan daha sa\u011fl\u0131kl\u0131d\u0131r:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u0130smet S\u0131ral, T\u00fcrkiye\u2019nin ilk yerli ve profesyonel modern caz topluluklar\u0131n\u0131n kurucular\u0131 ve y\u00f6neticileri aras\u0131nda yer alm\u0131\u015ft\u0131r.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n 1950\u2019lerdeki alt\u0131l\u0131lar\u0131ndan birinde tenor saksofonda kendisi, alto saksofonda Hrant Lusigyan, piyanoda Nejat Cendeli, kontrbasta Sel\u00e7uk Sun, davulda Vasfi U\u00e7aro\u011flu ve vokalde Sevin\u00e7 Tevs bulunuyordu. \u0130stanbul Radyosu yay\u0131nlar\u0131, \u015ean ve \u0130nci sinemalar\u0131ndaki konserler ile d\u00f6nemin kul\u00fcpleri bu m\u00fczisyenlerin ba\u015fl\u0131ca sahneleriydi. Akademik \u00e7al\u0131\u015fmalar da S\u0131ral\u2019\u0131 1950\u2019lerin ba\u015f\u0131ndaki ilk b\u00fcy\u00fck orkestra kadrolar\u0131 i\u00e7inde g\u00f6stermektedir. <a href=\"https:\/\/dergipark.org.tr\/tr\/download\/article-file\/3028137\">2023 tarihli akademik makale<\/a>, orkestran\u0131n kadrosunda Arto Ha\u00e7aturyan, Arif Mardin, Faruk Akel ve \u0130smet S\u0131ral gibi isimlerin bulundu\u011funu belirtir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siral_Orkestrasi_neden_bir_okul_olarak_gorulur\"><\/span>\u0130smet S\u0131ral Orkestras\u0131 neden bir okul olarak g\u00f6r\u00fcl\u00fcr?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">1961 y\u0131l\u0131nda yeni bir kadroyla \u00e7al\u0131\u015fmaya ba\u015flayan \u0130smet S\u0131ral Orkestras\u0131, \u0130stanbul\u2019un otel ve gece kul\u00fcb\u00fc sahnelerinde \u00f6nemli bir yer edindi. Topluluk yaln\u0131zca caz konseri veren sabit bir grup de\u011fildi. Dans m\u00fczi\u011fi, caz standartlar\u0131 ve d\u00f6nemin pop\u00fcler repertuvar\u0131n\u0131 \u00e7alabilen; kadrosu zaman i\u00e7inde de\u011fi\u015fen profesyonel bir orkestrayd\u0131.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\u0130smet S\u0131ral &amp; CMS Documentary \/ Interview Samples -1-\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/0ya8qsVpSQ0?start=3&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Orkestradan farkl\u0131 d\u00f6nemlerde Hayati Kafe, Ayten Alpman, \u00d6zdemir Erdo\u011fan, G\u00fcnnur Perin, Turhan Eteke ve Lamia gibi m\u00fczisyenler ge\u00e7ti. Sevin\u00e7 Tevs, Hrant Lusigyan, Nejat Cendeli, Sel\u00e7uk Sun ve Vasfi U\u00e7aro\u011flu ise S\u0131ral\u2019\u0131n daha erken d\u00f6nem topluluklar\u0131yla ili\u015fkilendirilen isimler aras\u0131ndad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu orkestraya \u201cokul\u201d denilmesinin nedeni resm\u00ee bir e\u011fitim kurumu olmas\u0131 de\u011fildir. S\u0131ral\u2019\u0131n toplulu\u011fu gen\u00e7 m\u00fczisyenlere \u015fu alanlarda uygulamal\u0131 deneyim kazand\u0131r\u0131yordu:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Caz standard\u0131 \u00f6\u011frenme ve repertuvar olu\u015fturma<\/li>\n\n\n\n<li>Orkestra i\u00e7inde dinleme ve e\u015flik etme<\/li>\n\n\n\n<li>Nota okuma ve d\u00fczenlemeye uyum sa\u011flama<\/li>\n\n\n\n<li>Uzun s\u00fcreli sahne disiplinine al\u0131\u015fma<\/li>\n\n\n\n<li>Do\u011fa\u00e7lama yaparken topluluk dengesini koruma<\/li>\n\n\n\n<li>Uluslararas\u0131 dinleyici kar\u015f\u0131s\u0131nda sahne deneyimi edinme<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Nitekim \u00d6zdemir Erdo\u011fan\u2019\u0131n biyografisinde, 1963\u2019te \u0130smet S\u0131ral\u2019\u0131n toplulu\u011funa \u015fark\u0131c\u0131 ve gitarc\u0131 olarak girmesinin kariyerini a\u00e7an \u00f6nemli geli\u015fmelerden biri oldu\u011fu belirtilir. Erdo\u011fan, 1965\u2019te toplulukla \u0130sve\u00e7\u2019e gitmi\u015f ve burada gitar tekni\u011fini ilerletmi\u015ftir. <a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/ozdemir-erdogan\">\u0130KSV\u2019nin \u00d6zdemir Erdo\u011fan biyografisi<\/a>, toplulu\u011fun Eyl\u00fcl 1968\u2019de da\u011f\u0131lmas\u0131na kadar uzanan s\u00fcreci aktar\u0131r.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Isvec_yillari_ve_Avrupaya_acilisi\"><\/span>\u0130sve\u00e7 y\u0131llar\u0131 ve Avrupa\u2019ya a\u00e7\u0131l\u0131\u015f\u0131<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral Orkestras\u0131\u2019n\u0131n \u0130sve\u00e7 d\u00f6nemi genellikle \u201c1962\u20131966 aras\u0131nda d\u00f6rt y\u0131l \u0130sve\u00e7\u2019te kald\u0131lar\u201d bi\u00e7iminde \u00f6zetlenir. Kaynaklar kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda daha hareketli bir tablo ortaya \u00e7\u0131kar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"420\" height=\"275\" src=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari.jpg\" alt=\"\u0130smet S\u0131ral Avrupa Y\u0131llar\u0131\" class=\"wp-image-59122\" style=\"width:828px;height:auto\" srcset=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari.jpg 420w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari-360x236.jpg 360w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari-350x229.jpg 350w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">\u0130smet S\u0131ral Avrupa Y\u0131llar\u0131<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Tarih<\/th><th>Geli\u015fme<\/th><\/tr><\/thead><tbody><tr><td>1961<\/td><td>Hayati Kafe ve Turhan Eteke, \u0130smet S\u0131ral Orkestras\u0131\u2019na kat\u0131larak Hilton Roof Bar\u2019da \u00e7al\u0131\u015fmaya ba\u015flad\u0131.<\/td><\/tr><tr><td>May\u0131s 1962<\/td><td>Orkestra \u00fc\u00e7 ayl\u0131k bir \u0130sve\u00e7 turnesi i\u00e7in yola \u00e7\u0131kt\u0131. G\u00f6rd\u00fc\u011f\u00fc ilgi \u00fczerine program uzat\u0131ld\u0131.<\/td><\/tr><tr><td>1963<\/td><td>Daha \u00f6nce S\u0131ral Orkestras\u0131\u2019yla \u00e7al\u0131\u015fan Ayten Alpman m\u00fczik e\u011fitimi amac\u0131yla \u0130sve\u00e7\u2019e gitti.<\/td><\/tr><tr><td>1964 civar\u0131<\/td><td>\u0130lk turne kadrosunun \u00f6nemli bir b\u00f6l\u00fcm\u00fc \u0130stanbul\u2019a d\u00f6nd\u00fc; Hayati Kafe \u0130sve\u00e7\u2019te kald\u0131.<\/td><\/tr><tr><td>1965<\/td><td>\u00d6zdemir Erdo\u011fan, S\u0131ral toplulu\u011fuyla \u0130sve\u00e7 turnesine kat\u0131ld\u0131.<\/td><\/tr><tr><td>1966<\/td><td>S\u0131ral\u2019\u0131n Avrupa ve \u0130sve\u00e7 ba\u011flant\u0131l\u0131 \u00e7al\u0131\u015fmalar\u0131 farkl\u0131 kadrolarla s\u00fcrd\u00fc.<\/td><\/tr><tr><td>1968<\/td><td>\u0130smet S\u0131ral toplulu\u011funun bu d\u00f6nemi sona erdi.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hayati Kafe\u2019nin \u0130KSV\u2019de yay\u0131mlanan ya\u015fam \u00f6yk\u00fcs\u00fcne g\u00f6re topluluk, May\u0131s 1962\u2019de \u00fc\u00e7 ayl\u0131k bir s\u00f6zle\u015fmeyle \u0130sve\u00e7\u2019e gitti; ilgi g\u00f6r\u00fcnce kal\u0131\u015f s\u00fcresini uzatt\u0131 ve yakla\u015f\u0131k iki y\u0131l sonra \u0130stanbul\u2019a d\u00f6nd\u00fc. Kafe ise \u0130sve\u00e7\u2019te ya\u015famaya devam etti. Bu bilgi, 1962\u20131966 aras\u0131ndaki Avrupa faaliyetlerinin ayn\u0131 kadronun kesintisiz d\u00f6rt y\u0131ll\u0131k ikameti de\u011fil, de\u011fi\u015fen kadrolarla yap\u0131lan turne ve \u00e7al\u0131\u015fma d\u00f6nemleri oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. Ayr\u0131nt\u0131lar <a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/hayati-kafe-2\">Hayati Kafe\u2019nin \u0130KSV biyografisinde<\/a> yer almaktad\u0131r.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"420\" height=\"275\" src=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/06-ismet-siral-hilton-lalezar-1969.jpg\" alt=\"\u0130smet S\u0131ral Hilton Lalezar\" class=\"wp-image-59123\" style=\"width:721px;height:auto\" srcset=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/06-ismet-siral-hilton-lalezar-1969.jpg 420w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/06-ismet-siral-hilton-lalezar-1969-360x236.jpg 360w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/06-ismet-siral-hilton-lalezar-1969-350x229.jpg 350w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">\u0130smet S\u0131ral Hilton Lalezar<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ayten Alpman\u2019\u0131n S\u0131ral Orkestras\u0131\u2019yla ili\u015fkisi de bu d\u00f6nemin \u00f6nemli par\u00e7alar\u0131ndand\u0131r. Alpman 1960\u2019ta orkestrayla \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015f, 1963\u2019te m\u00fczik e\u011fitimi i\u00e7in \u0130sve\u00e7\u2019e gitmi\u015ftir. Burada Ella Fitzgerald, Duke Ellington ve Quincy Jones gibi isimlerle tan\u0131\u015ft\u0131\u011f\u0131 <a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/ayten-alpman\">\u0130KSV\u2019nin Ayten Alpman biyografisinde<\/a> aktar\u0131l\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130sve\u00e7 deneyimi S\u0131ral i\u00e7in yaln\u0131zca bir turne ba\u015far\u0131s\u0131 de\u011fildi. Farkl\u0131 \u00fclkelerden m\u00fczisyenlerle kar\u015f\u0131la\u015fmas\u0131, k\u00fclt\u00fcrler aras\u0131nda m\u00fczik \u00fcretme d\u00fc\u015f\u00fcncesini g\u00fc\u00e7lendirdi. Daha sonra Creative Music Studio\u2019da geli\u015ftirece\u011fi yakla\u015f\u0131m\u0131n sosyal ve sanatsal altyap\u0131s\u0131 bu y\u0131llarda belirginle\u015fmeye ba\u015flad\u0131.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\u0130smet S\u0131ral &amp; CMS Documentary \/ Interview Samples -2-\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/7CljYZ0dQS4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Saksofonda_baslayan_yolculuk_nasil_neye_ulasti\"><\/span>Saksofonda ba\u015flayan yolculuk nas\u0131l neye ula\u015ft\u0131?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral\u2019\u0131n m\u00fczik ya\u015fam\u0131ndaki en \u00f6nemli d\u00f6n\u00fc\u015f\u00fcmlerden biri, 1960\u2019lar\u0131n sonunda ney ve Anadolu m\u00fczik geleneklerine y\u00f6nelmesidir. 1969\u2019da neyzen Aka G\u00fcnd\u00fcz Kutbay\u2019dan ders almaya ba\u015flad\u0131. Bu y\u00f6nelim, S\u0131ral\u2019\u0131n cazdan vazge\u00e7mesi anlam\u0131na gelmiyordu. Tam tersine caz\u0131n do\u011fa\u00e7lamaya dayal\u0131 yap\u0131s\u0131n\u0131 makam, usul ve nefes k\u00fclt\u00fcr\u00fcyle geni\u015fletmeye \u00e7al\u0131\u015f\u0131yordu.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\u0130smet S\u0131ral &amp; CMS Documentary \/ Interview Samples -3-\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/dshsaJTuiVs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n yakla\u015f\u0131m\u0131n\u0131 yaln\u0131zca \u201ccaz par\u00e7alar\u0131n\u0131n \u00fczerine ney \u00e7almak\u201d \u015feklinde d\u00fc\u015f\u00fcnmemek gerekir. Arad\u0131\u011f\u0131 birle\u015fme birka\u00e7 d\u00fczeyde ger\u00e7ekle\u015fiyordu:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Ses ve nefes<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Saksofon, fl\u00fct ve ney birbirinden farkl\u0131 ses \u00fcretme bi\u00e7imlerine sahiptir. S\u0131ral, neyin nefesli ve k\u0131r\u0131lgan t\u0131n\u0131s\u0131n\u0131 caz do\u011fa\u00e7lamas\u0131ndaki ki\u015fisel ses aray\u0131\u015f\u0131yla ili\u015fkilendirdi. B\u00f6ylece enstr\u00fcman\u0131n yaln\u0131zca ezgi \u00e7alan bir ara\u00e7 de\u011fil, nefesin do\u011frudan ifadesi olmas\u0131 \u00fczerinde durdu.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Makam ve melodik hareket<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Makam m\u00fczi\u011finde bir diziyi kullanmak kadar ezginin nas\u0131l ilerledi\u011fi, hangi perdelerde durdu\u011fu ve gerilim yaratt\u0131\u011f\u0131 da \u00f6nemlidir. S\u0131ral, makam\u0131 Bat\u0131l\u0131 armoninin \u00fczerine eklenen egzotik bir renk olarak de\u011fil, do\u011fa\u00e7lamay\u0131 y\u00f6nlendiren melodik bir d\u00fc\u015f\u00fcnce bi\u00e7imi olarak ele ald\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Usul ve aksak ritimler<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcrk m\u00fczi\u011findeki usul kavram\u0131, \u00f6l\u00e7\u00fc saymaktan daha geni\u015f bir ritmik \u00f6rg\u00fcy\u00fc ifade eder. S\u0131ral\u2019\u0131n Creative Music Studio\u2019daki \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda m\u00fczisyenlere \u201cd\u00fcm\u201d ve \u201ctek\u201d vuru\u015flar\u0131n\u0131, uzun ritim d\u00f6ng\u00fclerini ve bu d\u00f6ng\u00fclerin m\u00fczikal bi\u00e7imi nas\u0131l olu\u015fturdu\u011funu anlatt\u0131\u011f\u0131 aktar\u0131l\u0131r.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">S\u00f6zl\u00fc aktar\u0131m<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n e\u011fitim anlay\u0131\u015f\u0131nda m\u00fczik yaln\u0131zca nota \u00fczerinden \u00f6\u011frenilmiyordu. Dinleme, taklit, birlikte \u00e7alma, tekrar ve do\u011fa\u00e7lama merkezi \u00f6neme sahipti. Bu y\u00f6n\u00fcyle me\u015fk gelene\u011fi ile caz\u0131n jam session k\u00fclt\u00fcr\u00fc aras\u0131nda do\u011fal bir yak\u0131nl\u0131k g\u00f6r\u00fcyordu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dokuz Eyl\u00fcl \u00dcniversitesinde haz\u0131rlanan 2023 tarihli bir y\u00fcksek lisans tezi, tarad\u0131\u011f\u0131 literat\u00fcr do\u011frultusunda T\u00fcrk m\u00fczi\u011fine ait yerel g\u00f6stergelerin caz i\u00e7inde kullan\u0131lmas\u0131n\u0131n ilk \u00f6rneklerinden baz\u0131lar\u0131n\u0131 \u0130smet S\u0131ral\u2019a ba\u011flar. Bunun mutlak bir \u201cilk\u201d iddias\u0131 de\u011fil, T\u00fcrkiye\u2019deki yerel caz aray\u0131\u015flar\u0131n\u0131n erken ve etkili \u00f6rneklerinden biri olarak okunmas\u0131 daha do\u011frudur. <a href=\"https:\/\/avesis.deu.edu.tr\/dosya?id=be355c0b-4cdf-47e7-9bb9-0e0d254f86f5\">Akademik \u00e7al\u0131\u015fmaya buradan ula\u015f\u0131labilir<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siralin_kayitlari_ve_diskografisi\"><\/span>\u0130smet S\u0131ral\u2019\u0131n kay\u0131tlar\u0131 ve diskografisi<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral\u2019\u0131n etkisiyle ticari diskografisi aras\u0131nda belirgin bir orant\u0131s\u0131zl\u0131k vard\u0131r. Yakla\u015f\u0131k k\u0131rk y\u0131ll\u0131k m\u00fczik ya\u015fam\u0131na ra\u011fmen kendi ad\u0131yla yay\u0131mlanm\u0131\u015f \u00e7ok az kayda ula\u015f\u0131labilmektedir. Bunun birka\u00e7 nedeni vard\u0131r:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c7al\u0131\u015fmalar\u0131n\u0131n \u00f6nemli b\u00f6l\u00fcm\u00fc konser, otel ve radyo performanslar\u0131ndan olu\u015fuyordu.<\/li>\n\n\n\n<li>T\u00fcrkiye\u2019de caz alb\u00fcm\u00fc yay\u0131mlamak i\u00e7in gerekli ekonomik ve kurumsal ortam olduk\u00e7a s\u0131n\u0131rl\u0131yd\u0131.<\/li>\n\n\n\n<li>Pek \u00e7ok kay\u0131t \u00f6zel bantlarda veya yay\u0131n kurulu\u015flar\u0131n\u0131n ar\u015fivlerinde kald\u0131.<\/li>\n\n\n\n<li>S\u0131ral, kariyerinin son d\u00f6neminde ticari alb\u00fcmden \u00e7ok e\u011fitim ve do\u011fa\u00e7lama \u00e7al\u0131\u015fmalar\u0131na y\u00f6neldi.<\/li>\n\n\n\n<li>Creative Music Studio kay\u0131tlar\u0131n\u0131n \u00f6nemli b\u00f6l\u00fcm\u00fc ancak 2010\u2019lu y\u0131llarda yay\u0131mland\u0131.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Fundac\u0131k Du-Bi-Ba ve Buzlu Cam<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n eri\u015filebilen erken d\u00f6nem kay\u0131tlar\u0131n\u0131n ba\u015f\u0131nda Burhan Tongu\u00e7 Ritim Grubu ile haz\u0131rlanan <strong>Fundac\u0131k Du-Bi-Ba \/ Buzlu Cam<\/strong> teklisi gelir. Biricik Tongu\u00e7\u2019un yay\u0131mlanan kay\u0131t notlar\u0131na g\u00f6re par\u00e7alar 1968\u2019de, b\u00fct\u00fcn m\u00fczisyenlerin ayn\u0131 anda \u00e7ald\u0131\u011f\u0131 tek seferlik canl\u0131 kay\u0131t y\u00f6ntemiyle kaydedildi. D\u00f6nemin imk\u00e2nlar\u0131 iki kanall\u0131 bant ve s\u0131n\u0131rl\u0131 say\u0131daki mikrofondan olu\u015fuyordu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kay\u0131tta Burhan Tongu\u00e7 davul ve perk\u00fcsyon; \u0130smet S\u0131ral fl\u00fct, alto ve tenor saksofon; Kemal Tezcan ba\u011flama; Altan \u0130rtel piyano \u00e7alar. Gitar, bas, perk\u00fcsyon ve geri vokallerle geni\u015fleyen kadro, caz do\u011fa\u00e7lamas\u0131yla funk, Anadolu m\u00fczi\u011fi ve st\u00fcdyo m\u00fczisyenli\u011finin erken bir bulu\u015fmas\u0131n\u0131 ortaya koyar. Kay\u0131t 2018\u2019de Ar\u015fiv Plak taraf\u0131ndan yeniden d\u00fczenlenerek yay\u0131mland\u0131. Ayr\u0131nt\u0131l\u0131 kay\u0131t notlar\u0131 ve par\u00e7alar <a href=\"https:\/\/arsivplak.bandcamp.com\/album\/fundac-k-du-bi-ba-buzlu-cam\">Ar\u015fiv Plak sayfas\u0131nda<\/a> bulunabilir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teklinin tarihiyle ilgili k\u00fc\u00e7\u00fck bir katalog sorunu vard\u0131r. Kay\u0131t notlar\u0131 ve baz\u0131 caz kaynaklar\u0131 1968 tarihini verirken baz\u0131 diskografi kataloglar\u0131 pla\u011f\u0131n ilk bas\u0131m\u0131n\u0131 1972 olarak listeler. Bu nedenle en g\u00fcvenli ifade, <strong>\u201c1968\u2019de kaydedilen ve bas\u0131m tarihi kaynaklara g\u00f6re 1968 veya 1972 olarak g\u00f6sterilen tekli\u201d<\/strong> \u015feklindedir.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Creative Music Studio kay\u0131tlar\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n daha deneysel taraf\u0131n\u0131 g\u00f6steren kay\u0131tlar, Creative Music Studio ar\u015fivlerinden gelmektedir.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Kay\u0131t<\/th><th>Tarih<\/th><th>Neden dinlenmeli?<\/th><\/tr><\/thead><tbody><tr><td>Fundac\u0131k Du-Bi-Ba<\/td><td>1968 kay\u0131t<\/td><td>Fl\u00fct, saksofon, ba\u011flama ve perk\u00fcsyonun canl\u0131 st\u00fcdyo birlikteli\u011fini g\u00f6sterir.<\/td><\/tr><tr><td>Buzlu Cam<\/td><td>1968 kay\u0131t<\/td><td>S\u0131ral\u2019\u0131n funk ve deneysel st\u00fcdyo m\u00fczi\u011fiyle ili\u015fkisini duyurur.<\/td><\/tr><tr><td>Zeynebim<\/td><td>29 Temmuz 1979<\/td><td>Ney, bansuri, tabla, berimbau, gitar ve balafonun k\u00fclt\u00fcrler aras\u0131 do\u011fa\u00e7lamas\u0131n\u0131 i\u00e7erir.<\/td><\/tr><tr><td>Oy<\/td><td>Temmuz 1980<\/td><td>Y\u00fcksek enerjili topluluk do\u011fa\u00e7lamas\u0131 ve S\u0131ral\u2019\u0131n nefesli \u00e7alg\u0131 yakla\u015f\u0131m\u0131n\u0131 g\u00f6sterir.<\/td><\/tr><tr><td>Untitled<\/td><td>Temmuz 1980<\/td><td>Fl\u00fct ve perk\u00fcsyon aras\u0131nda daha a\u00e7\u0131k bi\u00e7imli bir m\u00fczikal kar\u015f\u0131la\u015fmad\u0131r.<\/td><\/tr><tr><td>Merdevin<\/td><td>Temmuz 1980<\/td><td>Anadolu kaynakl\u0131 melodik d\u00fc\u015f\u00fcnceyle kolektif do\u011fa\u00e7laman\u0131n ili\u015fkisini duyurur.<\/td><\/tr><tr><td>Asian Journal<\/td><td>1979\u20131980 dolay\u0131nda kaydedildi<\/td><td>S\u0131ral\u2019\u0131n soprano saksofonuyla Hindistan, T\u00fcrkiye ve Brezilya k\u00f6kenli m\u00fczisyenlerin bulu\u015fmas\u0131na kat\u0131ld\u0131\u011f\u0131 \u00e7al\u0131\u015fmad\u0131r.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Oy, Untitled ve Merdevin<\/strong>, Temmuz 1980\u2019de \u0130smet S\u0131ral, Steve Gorn ve Creative Music Studio kat\u0131l\u0131mc\u0131lar\u0131yla kaydedildi. Kay\u0131tlarda S\u0131ral ney, fl\u00fct ve soprano saksofon; Gorn ise bansuri fl\u00fct \u00e7alar. Par\u00e7alar ancak 2014\u2019te yay\u0131mlanan <em>Creative Music Studio Archive Selections, Vol. 1<\/em> i\u00e7inde geni\u015f dinleyici kitlesine ula\u015ft\u0131. Alb\u00fcm\u00fcn ayr\u0131nt\u0131l\u0131 kadrosu DownBeat\u2019te yay\u0131mlanan ar\u015fiv incelemesinde g\u00f6r\u00fclebilir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Creative_Music_Studio_donemi\"><\/span>Creative Music Studio d\u00f6nemi<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Creative Music Studio, Karl Berger, Ingrid Sertso ve Ornette Coleman\u2019\u0131n \u00f6nc\u00fcl\u00fc\u011f\u00fcnde 1971\u2019de kurulan Creative Music Foundation\u2019\u0131n e\u011fitim ve \u00fcretim merkeziydi. 1973\u2019te faaliyete ge\u00e7en merkez; caz, \u00e7a\u011fda\u015f m\u00fczik ve farkl\u0131 co\u011frafyalar\u0131n geleneklerini bir araya getiren do\u011fa\u00e7lama \u00e7al\u0131\u015fmalar\u0131na odaklan\u0131yordu. Kurumun ar\u015fivinde 550\u2019den fazla konser kayd\u0131 bulunmaktad\u0131r. <a href=\"https:\/\/creativemusic.org\/about\/history\/\">Creative Music Studio\u2019nun resm\u00ee tarih\u00e7esi<\/a> merkezin \u00e7al\u0131\u015fma modelini ayr\u0131nt\u0131l\u0131 bi\u00e7imde a\u00e7\u0131klar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral, Don Cherry ba\u011flant\u0131s\u0131yla 1978\u2019de Woodstock\u2019taki merkeze gitti. Creative Music Studio s\u00f6zl\u00fc tarih ar\u015fivindeki anlat\u0131ma g\u00f6re ba\u015flang\u0131\u00e7ta k\u0131sa s\u00fcre kalmay\u0131 d\u00fc\u015f\u00fcn\u00fcyordu; ancak ortamdan etkilenerek yakla\u015f\u0131k iki y\u0131l boyunca merkezde ya\u015famaya, ders vermeye ve konserlere kat\u0131lmaya devam etti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral burada yaln\u0131zca konuk bir icrac\u0131 de\u011fildi. Creative Music Studio\u2019nun k\u00fclt\u00fcrler aras\u0131 m\u00fczik anlay\u0131\u015f\u0131n\u0131 \u015fekillendiren yerle\u015fik e\u011fitmenlerden birine d\u00f6n\u00fc\u015ft\u00fc. Steve Gorn ve Karl Berger\u2019in anlat\u0131mlar\u0131nda onun:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Merkezin d\u00fcnya m\u00fczi\u011fi yakla\u015f\u0131m\u0131n\u0131 geni\u015fletti\u011fi<\/li>\n\n\n\n<li>Ney \u00e7almay\u0131 \u00e7ok say\u0131da kat\u0131l\u0131mc\u0131ya \u00f6\u011fretti\u011fi<\/li>\n\n\n\n<li>T\u00fcrk m\u00fczi\u011finin makam, usul ve bi\u00e7im anlay\u0131\u015f\u0131n\u0131 aktard\u0131\u011f\u0131<\/li>\n\n\n\n<li>\u00d6zellikle Bat\u0131 d\u0131\u015f\u0131 m\u00fczik geleneklerinden gelen m\u00fczisyenlerle yak\u0131n \u00e7al\u0131\u015ft\u0131\u011f\u0131<\/li>\n\n\n\n<li>Geleneksel s\u0131n\u0131rlar\u0131n d\u0131\u015f\u0131na \u00e7\u0131kmay\u0131 savundu\u011fu<\/li>\n\n\n\n<li>T\u00fcrkiye\u2019de benzer bir merkez kurmay\u0131 planlad\u0131\u011f\u0131<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">belirtilir. Bu tan\u0131kl\u0131klar <a href=\"https:\/\/creativemusic.org\/programs\/oral-history-project\/memories\/\">Creative Music Studio s\u00f6zl\u00fc tarih ar\u015fivinde<\/a> yer almaktad\u0131r.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Zeynebim neden \u00f6nemli bir kay\u0131tt\u0131r?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">29 Temmuz 1979\u2019da kaydedilen <strong>Zeynebim<\/strong>, S\u0131ral\u2019\u0131n m\u00fczikal d\u00fc\u015f\u00fcncesini en a\u00e7\u0131k bi\u00e7imde duyuran \u00e7al\u0131\u015fmalardan biridir. Kay\u0131tta:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u0130smet S\u0131ral: ney ve fl\u00fct<\/li>\n\n\n\n<li>Steve Gorn: fl\u00fct<\/li>\n\n\n\n<li>Trilok Gurtu: tabla<\/li>\n\n\n\n<li>Nan\u00e1 Vasconcelos: berimbau<\/li>\n\n\n\n<li>Ted Orr: gitar<\/li>\n\n\n\n<li>Karl Berger: balafon<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u00e7alar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Burada ama\u00e7, bir T\u00fcrk ezgisini Bat\u0131l\u0131 caz e\u015fli\u011fi \u00fczerine yerle\u015ftirmek de\u011fildir. Ney ve fl\u00fct melodiyi dola\u015f\u0131rken tabla ile berimbau birbirinden farkl\u0131 ritim anlay\u0131\u015flar\u0131n\u0131 ayn\u0131 ak\u0131\u015fta bulu\u015fturur. Balafon ve gitar ise sabit bir armonik zemin kurmak yerine sesler aras\u0131ndaki bo\u015fluklar\u0131 doldurur. Ortaya tamamen birle\u015fmi\u015f yeni bir t\u00fcrden \u00e7ok, farkl\u0131 m\u00fczik geleneklerinin kimliklerini kaybetmeden konu\u015fabildi\u011fi a\u00e7\u0131k bir alan \u00e7\u0131kar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creative Music Studio\u2019nun alb\u00fcm notlar\u0131, Zeynebim\u2019in kurum repertuvar\u0131nda uzun s\u00fcre \u00f6\u011fretilen bir par\u00e7a h\u00e2line geldi\u011fini belirtir. Kay\u0131t bilgileri ve kadro CMS Archive Selections Volume 2 notlar\u0131nda yer almaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n ar\u015fivdeki varl\u0131\u011f\u0131 yaln\u0131zca yay\u0131mlanan par\u00e7alarla s\u0131n\u0131rl\u0131 de\u011fildir. Columbia \u00dcniversitesi Creative Music Studio koleksiyonunda <strong>11 Nisan 1980 tarihli \u201cStudent Concert with Ismet Siral\u201d<\/strong> ba\u015fl\u0131kl\u0131 ayr\u0131 bir konser kayd\u0131 da bulunmaktad\u0131r. Bu kay\u0131t, S\u0131ral\u2019\u0131n merkezdeki e\u011fitmenlik faaliyetinin somut ar\u015fiv belgelerinden biridir. <a href=\"https:\/\/findingaids.library.columbia.edu\/archives\/cul-10993246_aspace_7a8272744017c28c0c3f2050e20daa35\">Columbia \u00dcniversitesi ar\u015fiv kayd\u0131<\/a> \u00e7evrim i\u00e7i katalogda g\u00f6r\u00fclebilir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Marmariste_kurmak_istedigi_muzik_okulu\"><\/span>Marmaris\u2019te kurmak istedi\u011fi m\u00fczik okulu<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral, 1969\u2019da Marmaris\u2019in Turun\u00e7 b\u00f6lgesinde bir arazi sat\u0131n ald\u0131. Amac\u0131, farkl\u0131 \u00fclkelerden m\u00fczisyenlerin bir araya gelerek ya\u015fayaca\u011f\u0131, \u00f6\u011frenece\u011fi ve birlikte \u00fcretece\u011fi uluslararas\u0131 bir m\u00fczik merkezi kurmakt\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tasarlad\u0131\u011f\u0131 yap\u0131 klasik anlamda diploma veren bir konservatuvardan farkl\u0131yd\u0131. M\u00fczisyenler ayn\u0131 yerde ya\u015fayacak; ustalar ve \u00f6\u011frenciler kesin s\u0131n\u0131rlarla ayr\u0131lmadan birlikte \u00e7alacak; do\u011fa, g\u00fcndelik ya\u015fam ve m\u00fczik e\u011fitimi bir b\u00fct\u00fcn olu\u015fturacakt\u0131. S\u0131ral\u2019\u0131n Creative Music Studio\u2019da g\u00f6rd\u00fc\u011f\u00fc \u00e7al\u0131\u015fma ortam\u0131, daha \u00f6nce kurdu\u011fu bu hayali uygulanabilir bir modele d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015f olmal\u0131d\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1980\u2019de T\u00fcrkiye\u2019ye d\u00f6nd\u00fckten sonra okul projesine a\u011f\u0131rl\u0131k verdi. Ancak in\u015faat, finansman ve ortakl\u0131k sorunlar\u0131 nedeniyle merkez tamamlanamad\u0131. S\u0131ral zaman i\u00e7inde proje i\u00e7in ay\u0131rd\u0131\u011f\u0131 araziyi de kaybetti. <a href=\"https:\/\/www.cmsistanbul.com\/ismet-siral\">CMS \u0130stanbul biyografisi<\/a>, 1980\u20131987 d\u00f6nemini b\u00fcy\u00fck \u00f6l\u00e7\u00fcde bu okul giri\u015fimi \u00fczerinden anlatmaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral, 8 Ekim 1987\u2019de \u0130\u00e7meler\u2019de ya\u015fam\u0131na son verdi. Kaynaklar okul projesinin \u00e7\u00f6kmesi ve arazinin kaybedilmesinin onun i\u00e7in a\u011f\u0131r bir darbe oldu\u011funu aktarmaktad\u0131r. Bununla birlikte bir insan\u0131n intihar\u0131n\u0131 tek bir olaya ba\u011flamak do\u011fru de\u011fildir. Ya\u015fam\u0131n\u0131n sonunu yaln\u0131zca trajedisi \u00fczerinden anlatmak da m\u00fczik, e\u011fitim ve k\u00fclt\u00fcr alan\u0131nda b\u0131rakt\u0131\u011f\u0131 kapsaml\u0131 miras\u0131 g\u00f6lgeler.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siralin_muzisyenler_uzerindeki_etkisi\"><\/span>\u0130smet S\u0131ral\u2019\u0131n m\u00fczisyenler \u00fczerindeki etkisi<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n etkisi \u00e7o\u011fu zaman alb\u00fcmlerden \u00e7ok birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 insanlar\u0131n kariyerlerinde g\u00f6r\u00fcl\u00fcr. Orkestralar\u0131 farkl\u0131 ku\u015faklardan m\u00fczisyenlerin repertuvar, sahne disiplini ve do\u011fa\u00e7lama \u00f6\u011frendi\u011fi hareketli \u00e7al\u0131\u015fma alanlar\u0131yd\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hayati Kafe\u2019nin \u0130sve\u00e7\u2019te profesyonel kariyer kurmas\u0131, Ayten Alpman\u2019\u0131n caz yorumculu\u011funun geli\u015fmesi ve \u00d6zdemir Erdo\u011fan\u2019\u0131n gitar tekni\u011fini ilerletmesi, S\u0131ral Orkestras\u0131\u2019n\u0131n do\u011frudan veya dolayl\u0131 etkileri aras\u0131nda de\u011ferlendirilebilir.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"420\" height=\"275\" src=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari.jpg\" alt=\"\u0130smet S\u0131ral Avrupa Y\u0131llar\u0131\" class=\"wp-image-59122\" style=\"width:811px;height:auto\" srcset=\"https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari.jpg 420w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari-360x236.jpg 360w, https:\/\/www.karekod.org\/blog\/wp-content\/uploads\/2026\/08\/07-ismet-siral-avrupa-yillari-350x229.jpg 350w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">\u0130smet S\u0131ral Avrupa Y\u0131llar\u0131<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Perk\u00fcsyoncu Arto Tun\u00e7boyac\u0131yan da \u00e7ocukluk d\u00f6nemine ili\u015fkin anlat\u0131s\u0131nda S\u0131ral\u2019\u0131n kendisini sahneye \u00e7\u0131kmaya te\u015fvik etti\u011fini, \u00e7almas\u0131 i\u00e7in \u00f6n\u00fcne konga koydu\u011funu ve performans\u0131n\u0131n kar\u015f\u0131l\u0131\u011f\u0131n\u0131 verdi\u011fini aktar\u0131r. Bu k\u00fc\u00e7\u00fck olay, S\u0131ral\u2019\u0131n gen\u00e7 m\u00fczisyenlere yaln\u0131zca \u00f6\u011f\u00fct vermek yerine onlara do\u011frudan sahne alan\u0131 a\u00e7an yakla\u015f\u0131m\u0131n\u0131 g\u00f6sterir. An\u0131 <a href=\"https:\/\/acikradyo.com.tr\/acik-radyodan\/hafiza-kartimizin-sonuna-geldik-arto-tuncboyaciyanlayiz\">A\u00e7\u0131k Radyo\u2019daki Arto Tun\u00e7boyac\u0131yan s\u00f6yle\u015fisinde<\/a> yer almaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Creative Music Studio\u2019da ise etkisi uluslararas\u0131 bir boyuta ula\u015ft\u0131. Steve Gorn, Trilok Gurtu, Nan\u00e1 Vasconcelos ve Adam Rudolph gibi m\u00fczisyenlerle kurdu\u011fu ili\u015fkiler, T\u00fcrk m\u00fczi\u011fine ait kavramlar\u0131n uluslararas\u0131 do\u011fa\u00e7lama \u00e7evrelerinde tan\u0131nmas\u0131na katk\u0131 sa\u011flad\u0131. Adam Rudolph\u2019un anlat\u0131m\u0131na g\u00f6re S\u0131ral\u2019\u0131n usul ve \u201cd\u00fcm\u2013tek\u201d d\u00fc\u015f\u00fcncesi \u00fczerine yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar, onun ritim ve bi\u00e7im anlay\u0131\u015f\u0131n\u0131 uzun vadede etkilemi\u015ftir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siral_neden_yeterince_taninmiyor\"><\/span>\u0130smet S\u0131ral neden yeterince tan\u0131nm\u0131yor?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral\u2019\u0131n T\u00fcrk m\u00fczik tarihindeki etkisine ra\u011fmen geni\u015f kitleler taraf\u0131ndan az tan\u0131nmas\u0131n\u0131n muhtemel nedenleri \u015funlard\u0131r:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Kay\u0131tlar\u0131n\u0131n az olmas\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n en \u00fcretken y\u0131llar\u0131nda T\u00fcrkiye\u2019de caz alb\u00fcm\u00fc yay\u0131mlamak olduk\u00e7a zordu. Radyo, konser ve \u00f6zel bant kay\u0131tlar\u0131n\u0131n \u00f6nemli bir b\u00f6l\u00fcm\u00fc ya kayboldu ya da eri\u015fime a\u00e7\u0131lmad\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">M\u00fczi\u011finin sahnede olu\u015fmas\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral i\u00e7in m\u00fczik b\u00fcy\u00fck \u00f6l\u00e7\u00fcde o anda, birlikte \u00e7alarken ortaya \u00e7\u0131kan bir s\u00fcre\u00e7ti. Bu yakla\u015f\u0131m kal\u0131c\u0131 alb\u00fcm \u00fcretmekten \u00e7ok konserlere, provalara ve at\u00f6lyelere dayan\u0131yordu.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">T\u00fcrlere s\u0131\u011fmayan yakla\u015f\u0131m\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">1950\u2019lerin caz dinleyicisi i\u00e7in fazla yerel; geleneksel m\u00fczik \u00e7evreleri i\u00e7in fazla deneysel; pop\u00fcler m\u00fczik piyasas\u0131 i\u00e7inse fazla do\u011fa\u00e7lamac\u0131yd\u0131. Bu nedenle m\u00fczi\u011fi tek bir kategori i\u00e7inde kolayca pazarlanamad\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Okul projesinin tamamlanamamas\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Hayalini kurdu\u011fu merkez ger\u00e7ekle\u015fseydi ad\u0131 yaln\u0131zca m\u00fczisyen olarak de\u011fil, kal\u0131c\u0131 bir e\u011fitim kurumunun kurucusu olarak da ya\u015fayabilirdi.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Miras\u0131n\u0131n s\u00f6zl\u00fc anlat\u0131larda kalmas\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral hakk\u0131nda bilinenlerin \u00f6nemli b\u00f6l\u00fcm\u00fc birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 m\u00fczisyenlerin an\u0131lar\u0131ndan gelmektedir. Bu tan\u0131kl\u0131klar\u0131n bir k\u0131sm\u0131 ge\u00e7 tarihlerde kayda al\u0131nm\u0131\u015f, baz\u0131 olaylar\u0131n tarihleri ve kadrolar\u0131 bu nedenle farkl\u0131 aktar\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siral_hakkinda_dogru_bilinen_yanlislar\"><\/span>\u0130smet S\u0131ral hakk\u0131nda do\u011fru bilinen yanl\u0131\u015flar<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>\u0130ddia<\/th><th>De\u011ferlendirme<\/th><\/tr><\/thead><tbody><tr><td>T\u00fcrkiye\u2019ye caz\u0131 \u0130smet S\u0131ral getirdi.<\/td><td>Yanl\u0131\u015f. T\u00fcrkiye\u2019de caz ve cazla ili\u015fkili dans orkestralar\u0131 S\u0131ral\u2019dan \u00f6nce de vard\u0131.<\/td><\/tr><tr><td>T\u00fcrkiye\u2019nin ilk caz orkestras\u0131n\u0131 tek ba\u015f\u0131na kurdu.<\/td><td>Fazla kesin bir ifade. S\u0131ral, ilk yerli ve profesyonel modern caz topluluklar\u0131n\u0131n kurucular\u0131 aras\u0131ndad\u0131r.<\/td><\/tr><tr><td>Orkestras\u0131 1962\u20131966 aras\u0131nda kesintisiz ayn\u0131 kadroyla \u0130sve\u00e7\u2019te kald\u0131.<\/td><td>Kaynaklar de\u011fi\u015fen kadrolar, d\u00f6n\u00fc\u015fler ve yeni turneler bulundu\u011funu g\u00f6steriyor.<\/td><\/tr><tr><td>\u0130smet S\u0131ral\u2019dan hi\u00e7 kay\u0131t kalmad\u0131.<\/td><td>Yanl\u0131\u015f. Kay\u0131tlar\u0131 azd\u0131r ancak Fundac\u0131k Du-Bi-Ba, Buzlu Cam, Zeynebim, Oy, Untitled ve Merdevin eri\u015filebilmektedir.<\/td><\/tr><tr><td>Yaln\u0131zca saksofon \u00e7al\u0131yordu.<\/td><td>Yanl\u0131\u015f. Alto, tenor ve soprano saksofonun yan\u0131nda fl\u00fct ve ney \u00e7al\u0131yordu.<\/td><\/tr><tr><td>Caz\u0131 b\u0131rakarak geleneksel m\u00fczi\u011fe ge\u00e7ti.<\/td><td>Eksik. Makam, usul ve neyi caz do\u011fa\u00e7lamas\u0131yla birlikte d\u00fc\u015f\u00fcnmeye ba\u015flad\u0131.<\/td><\/tr><tr><td>D\u00fcnya m\u00fczi\u011fini \u0130smet S\u0131ral icat etti.<\/td><td>Abart\u0131l\u0131 bir iddia. Ancak k\u00fclt\u00fcrler aras\u0131 do\u011fa\u00e7lama ve d\u00fcnya caz\u0131n\u0131n erken, etkili temsilcilerinden biridir.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siralin_yasamindan_onemli_tarihler\"><\/span>\u0130smet S\u0131ral\u2019\u0131n ya\u015fam\u0131ndan \u00f6nemli tarihler<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Y\u0131l<\/th><th>Olay<\/th><\/tr><\/thead><tbody><tr><td>1927<\/td><td>\u0130stanbul\u2019un Fatih il\u00e7esinde do\u011fdu.<\/td><\/tr><tr><td>1944<\/td><td>\u00d6\u011frenimini b\u0131rakarak saksofon derslerine ba\u015flad\u0131.<\/td><\/tr><tr><td>1946\u20131949<\/td><td>Harbiye Orduevi Orkestras\u0131\u2019nda saksofon ve fl\u00fct \u00e7ald\u0131.<\/td><\/tr><tr><td>1951\u20131952<\/td><td>C\u00fcneyt Sermet \u00e7evresindeki modern caz alt\u0131l\u0131lar\u0131 ve b\u00fcy\u00fck orkestrada yer ald\u0131.<\/td><\/tr><tr><td>1953\u20131955<\/td><td>\u0130stanbul Radyosu yay\u0131nlar\u0131 ve kendi topluluklar\u0131yla \u00f6ne \u00e7\u0131kt\u0131.<\/td><\/tr><tr><td>1961<\/td><td>Yeni \u0130smet S\u0131ral Orkestras\u0131 ile \u0130stanbul\u2019da \u00e7al\u0131\u015fmaya ba\u015flad\u0131.<\/td><\/tr><tr><td>1962<\/td><td>Orkestras\u0131yla \u0130sve\u00e7\u2019e gitti.<\/td><\/tr><tr><td>1962\u20131966<\/td><td>De\u011fi\u015fen kadrolarla \u0130sve\u00e7 ve Avrupa ba\u011flant\u0131l\u0131 \u00e7al\u0131\u015fmalar yapt\u0131.<\/td><\/tr><tr><td>1968<\/td><td>Burhan Tongu\u00e7 grubuyla Fundac\u0131k Du-Bi-Ba ve Buzlu Cam\u2019\u0131 kaydetti; ayn\u0131 y\u0131l uzun s\u00fcreli orkestra d\u00f6nemi sona erdi.<\/td><\/tr><tr><td>1969<\/td><td>Aka G\u00fcnd\u00fcz Kutbay\u2019dan ney \u00f6\u011frenmeye ve Turun\u00e7\u2019taki okul projesi \u00fczerinde \u00e7al\u0131\u015fmaya ba\u015flad\u0131.<\/td><\/tr><tr><td>1978\u20131980<\/td><td>Creative Music Studio\u2019da dersler verdi ve konserlere kat\u0131ld\u0131.<\/td><\/tr><tr><td>1979<\/td><td>Zeynebim kaydedildi.<\/td><\/tr><tr><td>1980<\/td><td>Oy, Untitled ve Merdevin kay\u0131tlar\u0131 yap\u0131ld\u0131; ard\u0131ndan T\u00fcrkiye\u2019ye d\u00f6nd\u00fc.<\/td><\/tr><tr><td>1987<\/td><td>8 Ekim\u2019de Marmaris \u0130\u00e7meler\u2019de hayat\u0131n\u0131 kaybetti.<\/td><\/tr><tr><td>2006<\/td><td>\u0130stanbul\u2019da ilk \u0130smet S\u0131ral Creative Music Studio etkinlikleri d\u00fczenlendi.<\/td><\/tr><tr><td>2010<\/td><td>\u0130kinci ISCMS bulu\u015fmas\u0131 uluslararas\u0131 m\u00fczisyenlerin kat\u0131l\u0131m\u0131yla ger\u00e7ekle\u015ftirildi.<\/td><\/tr><tr><td>2014\u20132015<\/td><td>Creative Music Studio ar\u015fivlerinden S\u0131ral\u2019\u0131n kay\u0131tlar\u0131 yay\u0131mland\u0131.<\/td><\/tr><tr><td>2024<\/td><td>Akbank Caz Festivali kapsam\u0131nda ya\u015fam\u0131 ve m\u00fczikal vizyonu \u00fczerine kapsaml\u0131 bir etkinlik d\u00fczenlendi.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ismet_Siralin_mirasi_bugun_nasil_yasatiliyor\"><\/span>\u0130smet S\u0131ral\u2019\u0131n miras\u0131 bug\u00fcn nas\u0131l ya\u015fat\u0131l\u0131yor?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral\u2019\u0131n tamamlayamad\u0131\u011f\u0131 uluslararas\u0131 m\u00fczik merkezi d\u00fc\u015f\u00fcncesi, \u00f6l\u00fcm\u00fcnden sonra onun ad\u0131na d\u00fczenlenen etkinliklerle k\u0131smen hayata ge\u00e7irildi. Creative Music Studio\u2019nun resm\u00ee tarih\u00e7esine g\u00f6re ilk <strong>\u0130smet S\u0131ral Creative Music Studio<\/strong> \u00e7al\u0131\u015fmalar\u0131 2006\u2019da \u0130stanbul\u2019da ger\u00e7ekle\u015ftirildi. Karl Berger, Ingrid Sertso, Steve Gorn, Trilok Gurtu ve \u00e7ok say\u0131da T\u00fcrk m\u00fczisyen at\u00f6lye ve konserlerde bir araya geldi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Projenin ikinci b\u00fcy\u00fck d\u00f6nemi 2010\u2019da d\u00fczenlendi. Bu bulu\u015fmaya John Zorn, Marc Ribot, Cyro Baptista, Adam Rudolph, Trilok Gurtu, Steve Gorn ve farkl\u0131 ku\u015faklardan T\u00fcrk m\u00fczisyenler kat\u0131ld\u0131. Etkinliklerin ayr\u0131nt\u0131lar\u0131 <a href=\"https:\/\/creativemusic.org\/milestones-2\/\">Creative Music Studio kilometre ta\u015flar\u0131<\/a> sayfas\u0131nda bulunmaktad\u0131r.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\u0130smet S\u0131ral, Creative Music Studio &amp; ISCMS: K\u0131sa Bir Retrospektif \/ A Short Retrospective\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/coSwzb_trVQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131ral\u2019\u0131n miras\u0131na y\u00f6nelik ilgi sonraki y\u0131llarda da s\u00fcrd\u00fc. 2024\u2019te 34. Akbank Caz Festivali kapsam\u0131nda ara\u015ft\u0131rmac\u0131 ve ISCMS direkt\u00f6r\u00fc Dost Kip\u2019in haz\u0131rlad\u0131\u011f\u0131 <strong>\u00c7a\u011f\u0131n\u0131n \u00d6tesinde M\u00fczisyen \u0130smet S\u0131ral ve Belgeselin Belgeseli<\/strong> ba\u015fl\u0131kl\u0131 etkinlik ger\u00e7ekle\u015ftirildi. Program, 22 y\u0131ll\u0131k ara\u015ft\u0131rma ve belgesel s\u00fcrecini; S\u0131ral\u2019\u0131n ki\u015fisel ar\u015fivini, dostluklar\u0131n\u0131, kay\u0131tlar\u0131n\u0131 ve yarat\u0131c\u0131 m\u00fczik merkezi hayalini g\u00fcndeme ta\u015f\u0131d\u0131. Etkinli\u011fin i\u00e7eri\u011fi <a href=\"https:\/\/www.akbanksanat.com\/etkinlik\/caginin-otesinde-muzisyen-ismet-siral-ve-belgeselin-belgeseli-34-akbank-caz-festivali\">Akbank Sanat ar\u015fivinde<\/a> yer almaktad\u0131r.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Editor_Yorumu\"><\/span>Edit\u00f6r Yorumu<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral kimdir sorusunun yan\u0131t\u0131, yaln\u0131zca \u201cT\u00fcrk caz\u0131n\u0131n \u00f6nc\u00fc saksofoncular\u0131ndan biri\u201d de\u011fildir. O; orkestray\u0131 bir e\u011fitim alan\u0131na d\u00f6n\u00fc\u015ft\u00fcren, farkl\u0131 ku\u015faklardan m\u00fczisyenleri bulu\u015fturan, saksofondan neye uzanan ki\u015fisel bir ses aray\u0131\u015f\u0131 geli\u015ftiren ve T\u00fcrkiye\u2019de k\u00fclt\u00fcrler aras\u0131 bir m\u00fczik merkezi kurmay\u0131 d\u00fc\u015fleyen \u00f6zg\u00fcn bir sanat\u00e7\u0131d\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1950\u2019lerde modern caz\u0131n \u0130stanbul\u2019daki ilk topluluklar\u0131nda \u00e7alm\u0131\u015f, 1960\u2019larda Avrupa\u2019ya a\u00e7\u0131lm\u0131\u015f, 1970\u2019lerde Anadolu m\u00fczi\u011fi ve Mevlevi gelene\u011fiyle ilgilenmi\u015f, 1978\u20131980 aras\u0131nda Creative Music Studio\u2019nun uluslararas\u0131 do\u011fa\u00e7lama ortam\u0131na T\u00fcrk m\u00fczi\u011finin makam ve usul birikimini ta\u015f\u0131m\u0131\u015ft\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Geride az say\u0131da ticari kay\u0131t b\u0131rakmas\u0131, etkisinin k\u00fc\u00e7\u00fck oldu\u011fu anlam\u0131na gelmez. Tam tersine \u0130smet S\u0131ral\u2019\u0131n miras\u0131 plaklardan \u00e7ok yeti\u015fmesine katk\u0131 sa\u011flad\u0131\u011f\u0131 m\u00fczisyenlerde, aktard\u0131\u011f\u0131 d\u00fc\u015f\u00fcncelerde, uluslararas\u0131 dostluklar\u0131nda ve h\u00e2l\u00e2 kurulmay\u0131 bekleyen yarat\u0131c\u0131 m\u00fczik okulu fikrinde ya\u015famaktad\u0131r.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>\u0130smet S\u0131ral\u2019\u0131n m\u00fczikal miras\u0131n\u0131 yeniden g\u00f6r\u00fcn\u00fcr k\u0131lmak, onu yeni ku\u015faklara tan\u0131tmak ve hakk\u0131nda kapsaml\u0131 bir ar\u015fiv olu\u015fturmak i\u00e7in uzun y\u0131llard\u0131r emek veren ara\u015ft\u0131rmac\u0131 Dost Kip\u2019e sonsuz te\u015fekk\u00fcrler.<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Sikca_Sorulan_Sorular\"><\/span>S\u0131k\u00e7a Sorulan Sorular<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral kimdir?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral; saksofon, fl\u00fct ve ney \u00e7alan T\u00fcrk caz m\u00fczisyeni, orkestra \u015fefi ve e\u011fitmendir. T\u00fcrkiye\u2019nin ilk profesyonel modern caz topluluklar\u0131n\u0131n olu\u015fumunda rol alm\u0131\u015f, Anadolu m\u00fczi\u011fiyle caz aras\u0131nda erken d\u00f6nem k\u00f6pr\u00fcler kurmu\u015ftur.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral ne zaman ve nerede do\u011fdu?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">18 Ocak 1927\u2019de \u0130stanbul\u2019un Fatih il\u00e7esinde do\u011fdu.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral hangi enstr\u00fcmanlar\u0131 \u00e7al\u0131yordu?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Tenor, alto ve soprano saksofon; fl\u00fct ve ney \u00e7al\u0131yordu. Kariyerinin ilk y\u0131llar\u0131nda saksofon ve fl\u00fct, sonraki deneysel \u00e7al\u0131\u015fmalar\u0131nda ise ney daha fazla \u00f6ne \u00e7\u0131kt\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral T\u00fcrkiye\u2019nin ilk caz orkestras\u0131n\u0131 m\u0131 kurdu?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Bu ifade tart\u0131\u015fmal\u0131d\u0131r. T\u00fcrkiye\u2019de S\u0131ral\u2019dan \u00f6nce de caz ve dans orkestralar\u0131 vard\u0131. Daha do\u011fru tan\u0131m, onun T\u00fcrkiye\u2019nin ilk yerli, profesyonel ve modern caz topluluklar\u0131n\u0131n kurucular\u0131 aras\u0131nda oldu\u011fudur.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral Orkestras\u0131\u2019nda kimler yer ald\u0131?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kadrolar d\u00f6nemlere g\u00f6re de\u011fi\u015fmekle birlikte Sevin\u00e7 Tevs, Ayten Alpman, Hayati Kafe, \u00d6zdemir Erdo\u011fan, G\u00fcnnur Perin, Turhan Eteke, Hrant Lusigyan, Nejat Cendeli ve Sel\u00e7uk Sun gibi \u00f6nemli isimler S\u0131ral\u2019\u0131n topluluklar\u0131nda \u00e7al\u0131\u015ft\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral\u2019\u0131n hangi kay\u0131tlar\u0131 dinlenebilir?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Fundac\u0131k Du-Bi-Ba, Buzlu Cam, Zeynebim, Oy, Untitled ve Merdevin g\u00fcn\u00fcm\u00fczde ula\u015f\u0131labilen ba\u015fl\u0131ca kay\u0131tlard\u0131r. Asian Journal alb\u00fcm\u00fcnde de soprano saksofonuyla yer alm\u0131\u015ft\u0131r.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral neden \u00f6nemlidir?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Modern caz\u0131n T\u00fcrkiye\u2019de yayg\u0131nla\u015fmas\u0131na katk\u0131da bulunmas\u0131, gen\u00e7 m\u00fczisyenlere sahne a\u00e7mas\u0131, makam ve usul kavramlar\u0131n\u0131 caz do\u011fa\u00e7lamas\u0131na ta\u015f\u0131mas\u0131 ve Creative Music Studio\u2019daki uluslararas\u0131 e\u011fitim \u00e7al\u0131\u015fmalar\u0131 nedeniyle \u00f6nemlidir.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130smet S\u0131ral neden \u00f6ld\u00fc?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130smet S\u0131ral, 8 Ekim 1987\u2019de ya\u015fam\u0131na son verdi. Kaynaklar, uzun y\u0131llar \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131 m\u00fczik okulu projesinin ger\u00e7ekle\u015fmemesi ve arazisini kaybetmesinin \u00fczerinde a\u011f\u0131r bir etkisi oldu\u011funu aktarmaktad\u0131r. Ancak intihar\u0131 tek bir nedene ba\u011flamak do\u011fru de\u011fildir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Baslica_kaynaklar\"><\/span>Ba\u015fl\u0131ca kaynaklar<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.cmsistanbul.com\/ismet-siral\">CMS \u0130stanbul \u2013 \u0130smet S\u0131ral biyografisi ve k\u00fclt\u00fcr ar\u015fivi<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/artijazz.com.tr\/muzisyenler\/ismet-siral\/\">Art\u0131 Jazz \u2013 \u0130smet S\u0131ral<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.jazzdergisi.com\/odullu-ustalar-cuneyt-sermet\/\">Jazz Dergisi \u2013 C\u00fcneyt Sermet s\u00f6zl\u00fc tarih anlat\u0131s\u0131<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.artfulliving.com.tr\/kultur-ve-yasam\/turkiyede-cazin-oykusu-ilk-yillar-2-i-610\">Artful Living \u2013 T\u00fcrkiye\u2019de Caz\u0131n \u00d6yk\u00fcs\u00fc: \u0130lk Y\u0131llar<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/hayati-kafe-2\">\u0130KSV \u2013 Hayati Kafe biyografisi<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/ayten-alpman\">\u0130KSV \u2013 Ayten Alpman biyografisi<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/caz.iksv.org\/tr\/yasam-boyu-basari-odulleri\/ozdemir-erdogan\">\u0130KSV \u2013 \u00d6zdemir Erdo\u011fan biyografisi<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/creativemusic.org\/about\/history\/\">Creative Music Studio \u2013 Kurum tarih\u00e7esi<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/creativemusic.org\/programs\/oral-history-project\/memories\/\">Creative Music Studio \u2013 \u0130smet S\u0131ral s\u00f6zl\u00fc tarih kay\u0131tlar\u0131<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/arsivplak.bandcamp.com\/album\/fundac-k-du-bi-ba-buzlu-cam\">Ar\u015fiv Plak \u2013 Fundac\u0131k Du-Bi-Ba \/ Buzlu Cam<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.akbanksanat.com\/etkinlik\/caginin-otesinde-muzisyen-ismet-siral-ve-belgeselin-belgeseli-34-akbank-caz-festivali\">Akbank Sanat \u2013 \u00c7a\u011f\u0131n\u0131n \u00d6tesinde M\u00fczisyen \u0130smet S\u0131ral<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u0130smet S\u0131ral kimdir? \u0130smet S\u0131ral, T\u00fcrkiye\u2019de modern caz\u0131n kurumsalla\u015fmaya ba\u015flad\u0131\u011f\u0131 1950\u2019li y\u0131llar\u0131n \u00f6nde gelen saksofoncular\u0131ndan, orkestra \u015feflerinden ve m\u00fczik e\u011fitmenlerinden [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":59118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,19],"tags":[6978,6974,6975,6976,6977],"class_list":["post-59117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-pozitif","tag-creative-music-studio","tag-ismet-siral-hayati","tag-ismet-siral-orkestrasi","tag-ismet-siral-sarkilari","tag-turk-caz-tarihi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u0130smet S\u0131ral Kimdir? 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